Portal 2 vs Alphonse Mucha

I really wanted to win the Portal 2 poster competition because you …erm… won a Portal poster. Well, it was that really smart 1970s action movie Portal poster right. Signed. Super.

Just design a Portal 2 poster. Okay, Alphonse Mucha designed far more beautiful posters than I ever could so Portal 2 vs Alphonse Mucha.

I Demand A Magnetic Corset

Design Steampunk posters for a Forbidden Planet promotion? Why, yes I’d love to. So whilst digitally stumbling about for a bit of inspiration I found the mighty handy Advertising Archives. It’s a huge collection of promotional graphics from the pre-1900s onwards. Awesome. If you need to fake-up anything, from Art Deco travel posters to 1950s bad girl crime books, this is the very place to start.

Lurking in the archives I found this wonderful poster for Harness Magnetic Corsets. Yes, not just corsets, magnetic corsets! Why, they look totally safe. There’s lots of similarly amusing stuff to take a look at – from times when smoking was just great and the ladies should mainly aspire to a new gas cooker.

I went with ‘dubious looking gas mask’ for the Forbidden Planet poster. Though not after spending a lot of time lost in 1950s Cadillac ads and the apparent joys of crimplene.

If you need to know more there’s a full history of the mildly alarming magnetic corset at The Quack Doctor.








Robot vs Giant Squid!

Today I needed to draw something before the working world of Doctor Who action figures entirely destroyed my brain. Occupational hazard. And I love the Japanese woodblock prints designed by the artists of the ukiyo-e school. Exciting. Sophisticated. Perfect graphic art.

Ukiyo-e is derived from a Buddhist expression. It means ‘picture’ (e) of the ‘floating world’ (ukiyo). A world of urban pleasures and excitement to escape into. The theatres, restaurants, teahouses, geisha and courtesans of shogun era Tokyo.

Well, ‘pictures of the floating world’ sounds just great. I wanted to try to use the feel and style of the ukiyo-e school illustrations. It’s very tempting just to copy the amazing designs but I thought I should try and draw something from my world to escape into.

Robots and giant squid. Obviously.

There’s a great gallery of prints at, well, the Ukiyo-e Gallery if you want o take a look at the real thing.

Peculiar Places #2

Step off Union Street and onto Redcross Way. You’re in a nondescript Southwark side street. Bisected by railway lines it borders an urban sprawl of undeveloped wasteland. Nothing remarkable here. Well, apart from a spontaneous shrine to the outcast dead of London.

Turns out the 14th century ‘respectable’ gentry of London had no liking for brothels cluttering up the place. Well, not anywhere they actually lived. Bear-baiting, whoring, theatres and all other manner of ‘ungodly’ activities were legally banned from their midst in the city. Obviously not wishing to dispense with these services entirely they simply needed to put them elsewhere. Handily, the Church had a convenient solution.

The Bishop of Winchester controlled land south of the River Thames – Southwark as we know it today – that fell outside the legal jurisdiction of the City of London. The church generously stepped in to licence all these apparently morally dubious activities on their own ground. See, Jesus cares. Known as the ‘Liberty of the Clink’ Southwark became a general den of iniquity. In deference to their licensee, prostitutes there became known as ‘Winchester Geese’.

Unfortunately though, London was also posed with another problem. The poor and unwashed had a tendency to die early. And in large numbers. Prostitutes were heading for an unconsecrated grave, paupers needed to be buried somewhere and so Cross Bones cemetery was born. Conveniently situated among the stews of Southwark it became the resting place for centuries of the unmourned dead. Without headstones, markers or in many cases even any record of their passing, the unwanted and disgraced were dumped in unmarked graves here until 1853.

Were they were forgotten about? Maybe, but not forever. The cemetery was unearthed again in the 1990’s when excavation work started on the London Underground’s new Silver Jubilee line. The dead were lost for a while but, apparently, were now not to be ignored.

A ritual drama plays out each year on All Hallows Eve at Cross Bones. Based on the ‘Southwark Mystery Plays’ of John Constable, the dead are now remembered with gifts and song. The iron bars of the cemetery gates have been repurposed into an ever-changing shrine. Awash with an esoteric mix of everything from Mardi Gras beads and Wiccan prayers to the smiling face of Buddha, the nondescript gates have become a visual trigger to at least ask, what happened in this place.

Rather touchingly a lot of people seemed to have asked. And a lot of people seem to wish those buried at Cross Bones to know they’re not forgotten. Take a look if you’re wandering by. It’s a curious manifestation of our need to care for the dead.

Loads more about doings at Cross Bones on the graveyards website.


Is That A Stake In Your Pocket?

…or are you just pleased to see me?

I’m daily forced to encounter a mildly disturbing amount of paranormal romance. It’s my job. Ripped vampire himbos, and claymore wielding hunky immortals. They’re forced upon me before I’ve even had my caffeine fix, first thing. The reading public responsible therefore deserve poking fun at. And I’m not letting the fact that I really have no idea how to draw comics stop me.

Sexed up revenants should at least wait till I’ve had my tea of a morning.


Top wordsmithing skills here from Danie Ware!

Smouldering (Anatomically Correct) Babes

Todays job? Design a window display board for the Forbidden Planet art and illustration guides. Nice.

One of the titles to work from was ‘Figure Drawing For All It’s Worth’, by the amazing Andrew Loomis. A stunning illustration resource for anybody who can’t draw hands… well… or any other body parts really. Alex Ross, Dick Giordano and Steve Lieber swear by it apparently. If you want to draw 1950s style smouldering babes, or have never been very sure about noses, step this way. A nice man at just here has free .pdf downloads of many of his outstanding books.

I’m hoping for a future free from hiding badly-drawn feet now.

 

 

 

Slightly Sinister Fiction: Glitch

How much misery circulates through the tunnels of the London Underground every day? Really, all things considered, I’m suprised the effects haven’t been a whole lot worse…

Glitch

You don’t really notice till it’s not there. Everybody’s doing their very best to keep the established social norms up to par. No unusual body language. No random screaming. The absence of normal is making you frown slightly but the little glitch is subsumed in the banality of the journey. The robot wants food, sleep, TV Prozac, not to deal an unsettling twitch in your perceived reality.

But the glitch has established itself now. A tiny disruptive pattern on the edge of your thoughts. Settled in for the night unless you can figure out a rational explanation.

Prod the hippocampus. Replay it again.

The man in the white vest clearly entered the lift. You saw him. White vest jarring with the commuter slick suits of your fellow travellers. Not one of the gang. You saw him step into the lift. You saw the lift doors close. Instant claustrophobic terror. Get distracted. Reconfigured the woman in a blue outfit (vast improvement), wondered if Reykjavik is a cool place to go on holiday and think of at least ten reasons why it’s just fine to get a cat. The lift reaches terra firma. Doors open. Franchised storefronts blaring coffee and ties. Panic attack averted.

The spatial awareness of big city living tells you the man in the white vest is close behind as you exit the lift. Step to one side. Let him past whilst you hunt for travel passes stashed somewhere on autopilot. He’s definitely right behind you. You were first to exit the lift. That’s how it works.

He’s not. Hell, he’s not anywhere. Glitch.

Somebody has violated the commuter social contract. People who get into lifts get out of them. There’s no script for how to deal with people simply being no longer there. You can’t miss a human being at less than two meters. They don’t get to sneak past you. Leave right now. Leave the station. This is exactly the sort of thing your brain doesn’t want to deal with.

Your brain likes rational explanations for life’s little reality twitches. Likes them cleaned up and tided away. 1630AD. Meteors showers become messages from god. 1989 and inexplicable lights in the night sky are always lens flare. Pretty much anything will do but it needs some fabrication that will safely recategorise abnormal into a less alarming context. It’s easily conned but demands you at least make an effort to help it out.

But lifts have now moved up to a high-ranking anomaly problem. You can’t ignore the fact they don’t appear to be playing by the rules any more but can’t find a plausible lie to smooth the jarring breach with.

The trains echoing backwash fills the concourse. Gradually slow your pace. Count your imminent fellow lift passengers. These are the rules now. Try to ignore the anticipatory anxiety of claustrophobia. Try not to feel too much like you know this is ridiculous. Seven people. An easy fit into cavernous rush hour lift designed for three times that number. Seven people in. Seven people out. Normality confirmed and your brain can go about its daily business untroubled.

The glitch begins to fade into the indistinct internal chatter of the day-to-day living. Late? Lost? Salad or Sushi? Paper over the crack a little and it’s almost like the it never happed. A cursory check establishes all commuters are present and correct. Number match. They always match. Every single day. They always match until the woman is gone.

She stood the back. Fake Channel Handbag carelessly slung over office sensible shirt. Nineteen are eighteen. One traveller down. No recounts necessary. You swallow. Try to swallow. Your mouth is too dry.

The screaming is in your head. Your body language is only slightly off. At a casual glance you’re troubled, distracted. The end of a relationship? No promotion at work? There’s a myriad selection of life’s less pleasant possibilities. Nobody would consider you might be losing your mind. You only look away for a second. Maybe less. The woman. Vanished. A grey suited businessman swiftly takes ownership of the remaining space as though it never happened. Only you’re sure, utterly sure it did.

It takes you a while to work it out. Numbers in a notebook. Camden station in July and nine people become eight. Euston, August, nine thirty and seventeen commuters become sixteen. Not everybody who walks into lifts continues their journey but who cares to notice? Proximity to anomalies breeds’ encephalon defences and nobody wants to catch a glitch.

People should read signs more. That’s really what they’re there for. In a city only hanging onto functionality by its fingertips you’d think they maybe would. There’s no room for ignoring design confines when thousand of commuters need to reach their destination. The fragmented human input to control waves of travellers creates something greater than the whole. The footfall of thousands fuels cognizance. The desire to be home by seven thirty feeds its instincts.

When the lift says maximum capacity it probably means it now.

I always take the stairs.

Peculiar Places #1

Tucked away under the platforms and tracks of Waterloo Station hides Leake Street. It’s 300 metres of ‘legal’ graffitti wall. Just head down York Road then wander off into the most promising looking place for you to get stabbed. You’re actually only likely to find some Nathan Barleys filming a crappy trainer ad, but it’s a curious pictorial zeitgeist of constantly-changing images and ideas. Meet the Fat Slags or take in a comment about Palestine.

Just depends what somebody’s decided to draw today.