Something Nasty In The Woodshed…

A little unsettling Voodoo down by Waitrose? Dubious occultists are up to no good at number 23 again? The Thelemic Lodge next door just won’t keep the noise down? Yup, urban occult. Who knows what sinister esoteric doings are going on behind the closed doors of suburban Blighty.

I just loved the new anthology idea from Anachron Press. Urban Occult. Irresistible. Trying to write a contribution sounded loads of fun. Satanists. Crazy Wiccans. Those nasty inner-city backwaters that really just aren’t right. And I’ve been lucky enough to have my short story included. Wow. Plus I’m very pleased to have designed the jacket.

Urban Occult Cover Something Nasty In The Woodshed...

A tiny excerpt from my wandering words…

The Strange Case Of Mrs West & The Dead

You’d think the dead had better things to do. But no. They hang about, getting under people’s feet, and in the case of Mr. Moses, retaining a controlling share in several import businesses where they were distinctly unwanted. All concerned generally considered they were making an infernal nuisance of themselves. Several family members, having found the gentleman insufferable in life, felt very hard done by that death had refused to claim him.

Yes, tea please. White. No sugar.

You see people will dabble in stuff. Give them enough money and they can do all sorts of damage. A little demonic deal here, a little cheating death there. Hardly a situation where you have recourse to law, when an unwanted relative acquires a nasty habit of popping back from the other side. So at this point you require some quality help. Who knows what’s been chanted to lure Aunty away from Death’s door? And she might have been a charming old dear in her former life but you’ll find a little death makes her not so ready with the mint humbugs. More likely to poke the nearest knitting needle in your eye. So it’s prudent to watch out for that. These are exactly the sort of issues that amateur occultists don’t tell you about. Cowboys. I’m forever clearing up their nasty mess.

Oh, and when you call I prefer the term ‘Occult Practitioner’. Please don’t use ‘witch’. I’m not entirely convinced they’ve stopped burning them. Best not to give anybody ideas.

But somebody had done an impressive job with Mr Moses. You could clearly see where the money had been spent. Very little wear and tear. Fully mobile. Chattering away rather eloquently. If you didn’t know better – and I do – you would never have thought the old gentleman should have exited this earthly plane over a month ago. He’d been brought back rather promptly. And to a very high standard. No obvious madness. No eating next door’s cats. No previously-absent tentacles. And the erroneous ‘death’ put down to the terrible incompetence of NHS paperwork. Which obviously everybody involved found entirely plausible. The standard excuse.

There were little hints of his condition about him. Slightly blurry at the edges. A disconcerting habit of simply walking through smaller pieces of furniture. The usual problems with reflections and howling dogs. He’d acquired a very slight translucent quality to his demeanour in the brightest of sunlight, and a shadow which plainly wasn’t his own. But on the whole a convincing resurrection. Despite the problem with the red eyes. One of the best I’ve seen. And one which was singularly determined to hang onto his business interests. Much to his daughter’s disgust.

Mrs West, along with fourteen other wonderfully spooky urban tales, should be out in February from Anachron. All edited by the mighty Colin F Barnes. Go take a look!

Day Of Demons

A day in a life with a demon. Any demon. Please write a short story.

To me? An irresistible idea for an anthology as it offered a good excuse for wandering about the internet poking into demonic pacts, hellish secrets and Faustian goings on. Too many great things to try and write about. But how could you get yourself stuck with a demon? Was this necessarily a bad thing? And once you’d signed your life away how exactly would you go about trying to renege on the deal?

Enter Mrs Milton. As I’m pretty sure old ladies know far more than they ever let on… My small contribution the the Anachron Press ‘Day of Demons’ anthology.

A little excerpt…

The Devil and Mrs Milton

Would you like my life? The money. The connections. The trappings of wealth. The comforts of success. Would you take it if I offered? Snatch opportunity from my hands? In one small gesture have this to be yours?

Don’t be under any illusions. Don’t fail to see behind the shining veneer. This all came at a high price. A tithe paid in blood. And you should be very careful with whom you strike a bargain.

Nothing is a safe bet. And there’s sometimes a cost you don’t really want to pay.

I have an appointment this evening. A nefarious friend is intending to call. Balance on a debt that’s unavoidably due. Not anybody you’d like to meet. But stay and talk a while. I have a little time before he arrives.

The business deal. A social engagement. The relationship. The new enterprise. I have the magical gift of turning all to gold. Success always stands by my side. Doors that eternally open. My path invariably takes me towards greater rewards. Whatever journey I embark upon my providence is assured. I never put a foot wrong. Always safely walk between the paving cracks. I have insinuated myself into the most fortuitous relationship with life. Everything unfailingly falls my way. Life appears to love me. A prominent participant in all that is esteemed. But I’ve had a little help you see. An unfair advantage. A sleight of hand. A dirty secret. Something I’ve kept hidden from others in my world. Not that ever I asked for it. Nothing that I wanted. A node of success. Too big. Too close. A life that didn’t appear tangible to any who looked too intently. A legacy of my family for generations. A bargain made in my absence a long time ago.

Perhaps I should be resigned to my fate. A bit of North London Zen? I’ve had many long years to think about this day. Plotting. Planning. Secrets. My fetch has always stood close by. Watching from the sidelines. Expectantly eager in the corners of a room. She’s never been too distant. Always following in the backwash of my days. The street lights that dim as I approach. The hissing cat that will never sit by my side. The distant chime of bells as sleep pulls me down into fragmentary dreams. I discern my guest and his associates have tainted my life. Little reminders to ensure I don’t forget our deal. I fear that I burn a little too brightly in the more ethereal of places. But that was never of my choice. An attraction I never desired. And as the more esoteric of gentleman would point out (and I’m certain they speak truly) when you have no choice but to see them, then of course, they can see you.

I believe my guest is on his way. Twisting just out of perception. Signal to noise against the monochrome streets of a Camden winter’s day. Don’t feel obliged to wait with me. I’m sure anybody would understand should you leave. But company is pleasant. And I have a curious tale to tell.

And should you maybe wish to find out what exactly happens to the erstwhile Mrs Milton, along with eight other storming tales of demonic doings from Anachron Press, it’s all right here!

day of demons Day Of Demons

‘Deal’ by Karen Davies, ‘Inheritance’ by Phil Hickes, ‘Serpent’s Kiss’ by Krista Walsh, ‘Sam & The Spear’ by Gary Bonn. ‘Numen’ by V. Đ. Griesdoorn, ‘City of Light and Stone’ by Laura Diamond, ‘Cost of Glory’ by Edward Drake and ‘A Mother’s Love’ by James M. Mazzaro. All masterfully put together by editor Colin F. Barnes!

Day of Demons is a collection of powerful stories featuring the conflict of demons and humans over the course of a day.

Read how one woman’s inner-self awakens to unexpected and frightening consequences, or how a charismatic half-breed thief is forced to strike a deal with a pen-stealing imp. Read about a mother as she struggles to cope with a deadly, satanic bargain, and a sword-wielding anti-hero as he returns out of exile to face his demonic fate.

Nine stories, nine demons, nine authors. From fantasy, to horror, to contemporary fiction, this anthology will fright, delight and grip you with tales of daring-do, danger and of course — demons.

Anachron Press

Available right now at Amazon UK and Amazon US! Go take a look if you’d like some demonic tales to entertain. And who wouldn’t?

Slightly Sinister Fiction: Are You Listening?

I love wandering around London. Always the disturbing little alley you’ve never seen before. The hidden courtyard. The fragmentary glimpse of history from centuries ago. Fascinating. But I’m never convinced she’s the kindest of Mistresses…

Are You Listening?

The city isn’t a nice place. It has its dirty little secrets. When the city is sleeping it doesn’t have very sweet dreams.

Here’s an idea. Why don’t you look at the street you’re walking along? Look past the repetition of faceless office building and parasitic coffee shops. Take a look at its genesis. Take it from source. You barely even touch its history on your short walk to work but its history is there. Waiting to speak to you. You really think nothing seeps out through the paving stone cracks? Well think again.

The collective resonance of a thousand footfalls is remembered here. The city may be sleeping but the cumulative force of human actions shapes its dreaming thoughts. The city would like to speak to you. It doesn’t matter that you choose not to hear her. You don’t get to entirely tune out a thousand years of her assiduous listening.

The only problem is when you choose to reply.

Smart phones for stupid people. You’d think the banality of the human condition would all but kill anybody’s desire to listen in but the city is used to the platitudes of human interaction. The woman in the ironic t-shirt tweets the names of her fellow Southbank diners to the world as the Southwark boatmen had shouted the price of fresh whores across the Thames. Add a little passion and the cities all ears. Beneath the veneer of cheerful sociability she hears the grasping cries for attention. And remembers.

She always remembers.

The city remembered as a man fell to the gutter on Hercules Road. Stabbed for the price of a meal. The fourteenth of May 1802. She remembered as the outcast dead were buried at Cross Bones cemetery. Paupers and prostitutes. Winchester’s fair geese. 1603. Tourists walk the floors of the Imperial War Museum. Three hundred year ago you visited this building to be amused by the clinically insane. Conveniently Bedlam moved but did it really leave nothing behind?

You don’t think the city has something to say to you? It remembers nothing of these events? Of the plaintive mediocrity of human lives? Take a seat and watch. I can’t really advise it but then maybe you’d started to notice too. Hadn’t you realised you’d begun to watch every step? To circumvent the cracks in the paving stones?

You instinctively avoid waiting on a certain tube platform. Every time. Somebody always wants to start an argument. About anything. For no reason. You don’t want a drink with me? Why? Bitch. A scuffle about football. A relationship ends in screaming ignominy. But move one stop further down the line and you can peacefully wait among taciturn fellow travellers. Your friends advise that you really shouldn’t take that short cut home across the park but nothing, nothing at all unpleasant has ever happen there. The street behind the welcoming coffee shop is always home to a vagrant. The corner of the connecting alleyway always the scene of a traffic accident. Somebody always stands begging by the small shop that sells hardware. An old woman waits at the last bus stop. Every day. Every hour. You’ve never seen a bus arrive.

The house you used to live in never felt like home. A stranger’s rooms you shouldn’t be visiting. A dark hallway that left you grasping for a light switch. Friends who always prefer that you visit with them. Ikea pastels don’t seem to fix a clinging sadness on the stairwell. Another annex of the past that desires to tell you something. Just like you, nobody ever lives there very long. Always easier to say you need to move closer to work.

Start watching for the patterns. They’re barely hidden by the mundanity of your day- to-day life. Pick at a few corners and you’ll be surprised what’s underneath. You don’t need all the jigsaw pieces in place to see what the picture is. What happens on the city’s streets has always happened there. The foundations were laid centuries ago that dictate the behaviour of its fleeting human visitors. But once you’ve noticed, her subtle coercions are too difficult to ignore. All-pervasive. All-encompassing.

Now you’ve noticed the city, the city has noticed you.

She doesn’t have many people to talk to. Thousands lost in gym membership, being seen at the right places, networking a career move. Grimly keeping up the pretence of a happy, productive life is a full-time occupation. Drinks? Tuesday? The work was so inspirational. If you tell enough people you’re fascinating then you obviously are. It’s better if you shout. The city can only whisper to these preoccupied edges of perception, but if she finds somebody who’s listening you’ll have her undivided attention.

The Northbound journey towards the river produces nausea now. The horizon line reeling until you’re clear of the street. Walk to Westminster Pier and the stifling claustrophobia around the new hotel complex leaves you exhausted. Gasping for breath. The adrenaline-fuelled surge of fight or flight forces you from St George’s Park.

A plague cemetery. A railway for the dead. The grounds of an asylum until 1930. The Internet can tell you most things. It’s full of useful information.

Bet you wish you never started to listen.

You learn to plan your route around centuries of slumbering misery. The intonations are faithfully memorised for you to hear, in every step of your journey. You walk in a city that whispers of her ruin. It’s cadence seeps around the stone on which you walk. Only tragedy has happened here. Only tragedy will happen again.

Pick your way between the starvation and the cruelty. Quickly sidle past a house where murderous anger fills the air. Circumvent an unpleasant cross roads. Avoid a former workhouse behind the store façade of elegant clothes.

Now the city has your attention she wants to tell you all about her past. And you really don’t know how to stop listening.

Smart phones for stupid people. Maybe they’re just trying not to listen too.

are you pic Slightly Sinister Fiction: Are You Listening?

Slightly Sinister Fiction: Glitch

How much misery circulates through the tunnels of the London Underground every day? Really, all things considered, I’m suprised the effects haven’t been a whole lot worse…

Glitch

You don’t really notice till it’s not there. Everybody’s doing their very best to keep the established social norms up to par. No unusual body language. No random screaming. The absence of normal is making you frown slightly but the little glitch is subsumed in the banality of the journey. The robot wants food, sleep, TV Prozac, not to deal an unsettling twitch in your perceived reality.

But the glitch has established itself now. A tiny disruptive pattern on the edge of your thoughts. Settled in for the night unless you can figure out a rational explanation.

Prod the hippocampus. Replay it again.

The man in the white vest clearly entered the lift. You saw him. White vest jarring with the commuter slick suits of your fellow travellers. Not one of the gang. You saw him step into the lift. You saw the lift doors close. Instant claustrophobic terror. Get distracted. Reconfigured the woman in a blue outfit (vast improvement), wondered if Reykjavik is a cool place to go on holiday and think of at least ten reasons why it’s just fine to get a cat. The lift reaches terra firma. Doors open. Franchised storefronts blaring coffee and ties. Panic attack averted.

The spatial awareness of big city living tells you the man in the white vest is close behind as you exit the lift. Step to one side. Let him past whilst you hunt for travel passes stashed somewhere on autopilot. He’s definitely right behind you. You were first to exit the lift. That’s how it works.

He’s not. Hell, he’s not anywhere. Glitch.

Somebody has violated the commuter social contract. People who get into lifts get out of them. There’s no script for how to deal with people simply being no longer there. You can’t miss a human being at less than two meters. They don’t get to sneak past you. Leave right now. Leave the station. This is exactly the sort of thing your brain doesn’t want to deal with.

Your brain likes rational explanations for life’s little reality twitches. Likes them cleaned up and tided away. 1630AD. Meteors showers become messages from god. 1989 and inexplicable lights in the night sky are always lens flare. Pretty much anything will do but it needs some fabrication that will safely recategorise abnormal into a less alarming context. It’s easily conned but demands you at least make an effort to help it out.

But lifts have now moved up to a high-ranking anomaly problem. You can’t ignore the fact they don’t appear to be playing by the rules any more but can’t find a plausible lie to smooth the jarring breach with.

The trains echoing backwash fills the concourse. Gradually slow your pace. Count your imminent fellow lift passengers. These are the rules now. Try to ignore the anticipatory anxiety of claustrophobia. Try not to feel too much like you know this is ridiculous. Seven people. An easy fit into cavernous rush hour lift designed for three times that number. Seven people in. Seven people out. Normality confirmed and your brain can go about its daily business untroubled.

The glitch begins to fade into the indistinct internal chatter of the day-to-day living. Late? Lost? Salad or Sushi? Paper over the crack a little and it’s almost like the it never happed. A cursory check establishes all commuters are present and correct. Number match. They always match. Every single day. They always match until the woman is gone.

She stood the back. Fake Channel Handbag carelessly slung over office sensible shirt. Nineteen are eighteen. One traveller down. No recounts necessary. You swallow. Try to swallow. Your mouth is too dry.

The screaming is in your head. Your body language is only slightly off. At a casual glance you’re troubled, distracted. The end of a relationship? No promotion at work? There’s a myriad selection of life’s less pleasant possibilities. Nobody would consider you might be losing your mind. You only look away for a second. Maybe less. The woman. Vanished. A grey suited businessman swiftly takes ownership of the remaining space as though it never happened. Only you’re sure, utterly sure it did.

It takes you a while to work it out. Numbers in a notebook. Camden station in July and nine people become eight. Euston, August, nine thirty and seventeen commuters become sixteen. Not everybody who walks into lifts continues their journey but who cares to notice? Proximity to anomalies breeds’ encephalon defences and nobody wants to catch a glitch.

People should read signs more. That’s really what they’re there for. In a city only hanging onto functionality by its fingertips you’d think they maybe would. There’s no room for ignoring design confines when thousand of commuters need to reach their destination. The fragmented human input to control waves of travellers creates something greater than the whole. The footfall of thousands fuels cognizance. The desire to be home by seven thirty feeds its instincts.

When the lift says maximum capacity it probably means it now.

I always take the stairs.

glitch pic Slightly Sinister Fiction: Glitch

Are You Listening?

The city isn’t a nice place. It has its dirty little secrets. When the city is sleeping it doesn’t have very sweet dreams.

Here’s an idea. Why don’t you look at the street you’re walking along? Look past the repetition of faceless office building and parasitic coffee shops. Take a look at its genesis. Take it from source. You barely even touch its history on your short walk to work but its history is there. Waiting to speak to you. You really think nothing seeps out through the paving stone cracks? Well think again.

The collective resonance of a thousand footfalls is remembered here. The city may be sleeping but the cumulative force of human actions shapes its dreaming thoughts. The city would like to speak to you. It doesn’t matter that you choose not to hear her. You don’t get to entirely tune out a thousand years of her assiduous listening.

The only problem is when you choose to reply.

Smart phones for stupid people. You’d think the banality of the human condition would all but kill anybody’s desire to listen in but the city is used to the platitudes of human interaction. The woman in the ironic t-shirt tweets the names of her fellow Southbank diners to the world as the Southwark boatmen had shouted the price of fresh whores across the Thames. Add a little passion and the cities all ears. Beneath the veneer of cheerful sociability she hears the grasping cries for attention. And remembers.

She always remembers.

The city remembered as a man fell to the gutter on Hercules Road. Stabbed for the price of a meal. The fourteenth of May 1802. She remembered as the outcast dead were buried at Cross Bones cemetery. Paupers and prostitutes. Winchester’s fair geese. 1603. Tourists walk the floors of the Imperial War Museum. Three hundred year ago you visited this building to be amused by the clinically insane. Conveniently Bedlam moved but did it really leave nothing behind?

You don’t think the city has something to say to you? It remembers nothing of these events? Of the plaintive mediocrity of human lives? Take a seat and watch. I can’t really advise it but then maybe you’d started to notice too. Hadn’t you realised you’d begun to watch every step? To circumvent the cracks in the paving stones?

You instinctively avoid waiting on a certain tube platform. Every time. Somebody always wants to start an argument. About anything. For no reason. You don’t want a drink with me? Why? Bitch. A scuffle about football. A relationship ends in screaming ignominy. But move one stop further down the line and you can peacefully wait among taciturn fellow travellers. Your friends advise that you really shouldn’t take that short cut home across the park but nothing, nothing at all unpleasant has ever happen there. The street behind the welcoming coffee shop is always home to a vagrant. The corner of the connecting alleyway always the scene of a traffic accident. Somebody always stands begging by the small shop that sells hardware. An old woman waits at the last bus stop. Every day. Every hour. You’ve never seen a bus arrive.

The house you used to live in never felt like home. A stranger’s rooms you shouldn’t be visiting. A dark hallway that left you grasping for a light switch. Friends who always prefer that you visit with them. Ikea pastels don’t seem to fix a clinging sadness on the stairwell. Another annex of the past that desires to tell you something. Just like you, nobody ever lives there very long. Always easier to say you need to move closer to work.

Start watching for the patterns. They’re barely hidden by the mundanity of your day- to-day life. Pick at a few corners and you’ll be surprised what’s underneath. You don’t need all the jigsaw pieces in place to see what the picture is. What happens on the city’s streets has always happened there. The foundations were laid centuries ago that dictate the behaviour of its fleeting human visitors. But once you’ve noticed, her subtle coercions are too difficult to ignore. All-pervasive. All-encompassing.

Now you’ve noticed the city, the city has noticed you.

She doesn’t have many people to talk to. Thousands lost in gym membership, being seen at the right places, networking a career move. Grimly keeping up the pretence of a happy, productive life is a full-time occupation. Drinks? Tuesday? The work was so inspirational. If you tell enough people you’re fascinating then you obviously are. It’s better if you shout. The city can only whisper to these preoccupied edges of perception, but if she finds somebody who’s listening you’ll have her undivided attention.

The Northbound journey towards the river produces nausea now. The horizon line reeling until you’re clear of the street. Walk to Westminster Pier and the stifling claustrophobia around the new hotel complex leaves you exhausted. Gasping for breath. The adrenaline-fuelled surge of fight or flight forces you from St George’s Park.

A plague cemetery. A railway for the dead. The grounds of an asylum until 1930. The Internet can tell you most things. It’s full of useful information.

Bet you wish you never started to listen.

You learn to plan your route around centuries of slumbering misery. The intonations are faithfully memorised for you to hear, in every step of your journey. You walk in a city that whispers of her ruin. It’s cadence seeps around the stone on which you walk. Only tragedy has happened here. Only tragedy will happen again.

Pick your way between the starvation and the cruelty. Quickly sidle past a house where murderous anger fills the air. Circumvent an unpleasant cross roads. Avoid a former workhouse behind the store façade of elegant clothes.

Now the city has your attention she wants to tell you all about her past. And you really don’t know how to stop listening.

Smart phones for stupid people. Maybe they’re just trying not to listen too.

are you pic Are You Listening?

Glitch

You don’t really notice till it’s not there. Everybody’s doing their very best to keep the established social norms up to par. No unusual body language. No random screaming. The absence of normal is making you frown slightly but the little glitch is subsumed in the banality of the journey. The robot wants food, sleep, TV Prozac, not to deal an unsettling twitch in your perceived reality.

But the glitch has established itself now. A tiny disruptive pattern on the edge of your thoughts. Settled in for the night unless you can figure out a rational explanation.

Prod the hippocampus. Replay it again.

The man in the white vest clearly entered the lift. You saw him. White vest jarring with the commuter slick suits of your fellow travellers. Not one of the gang. You saw him step into the lift. You saw the lift doors close. Instant claustrophobic terror. Get distracted. Reconfigured the woman in a blue outfit (vast improvement), wondered if Reykjavik is a cool place to go on holiday and think of at least ten reasons why it’s just fine to get a cat. The lift reaches terra firma. Doors open. Franchised storefronts blaring coffee and ties. Panic attack averted.

The spatial awareness of big city living tells you the man in the white vest is close behind as you exit the lift. Step to one side. Let him past whilst you hunt for travel passes stashed somewhere on autopilot. He’s definitely right behind you. You were first to exit the lift. That’s how it works.

He’s not. Hell, he’s not anywhere. Glitch.

Somebody has violated the commuter social contract. People who get into lifts get out of them. There’s no script for how to deal with people simply being no longer there. You can’t miss a human being at less than two meters. They don’t get to sneak past you. Leave right now. Leave the station. This is exactly the sort of thing your brain doesn’t want to deal with.

Your brain likes rational explanations for life’s little reality twitches. Likes them cleaned up and tided away. 1630AD. Meteors showers become messages from god. 1989 and inexplicable lights in the night sky are always lens flare. Pretty much anything will do but it needs some fabrication that will safely recategorise abnormal into a less alarming context. It’s easily conned but demands you at least make an effort to help it out.

But lifts have now moved up to a high-ranking anomaly problem. You can’t ignore the fact they don’t appear to be playing by the rules any more but can’t find a plausible lie to smooth the jarring breach with.

The trains echoing backwash fills the concourse. Gradually slow your pace. Count your imminent fellow lift passengers. These are the rules now. Try to ignore the anticipatory anxiety of claustrophobia. Try not to feel too much like you know this is ridiculous. Seven people. An easy fit into cavernous rush hour lift designed for three times that number. Seven people in. Seven people out. Normality confirmed and your brain can go about its daily business untroubled.

The glitch begins to fade into the indistinct internal chatter of the day-to-day living. Late? Lost? Salad or Sushi? Paper over the crack a little and it’s almost like the it never happed. A cursory check establishes all commuters are present and correct. Number match. They always match. Every single day. They always match until the woman is gone.

She stood the back. Fake Channel Handbag carelessly slung over office sensible shirt. Nineteen are eighteen. One traveller down. No recounts necessary. You swallow. Try to swallow. Your mouth is too dry.

The screaming is in your head. Your body language is only slightly off. At a casual glance you’re troubled, distracted. The end of a relationship? No promotion at work? There’s a myriad selection of life’s less pleasant possibilities. Nobody would consider you might be losing your mind. You only look away for a second. Maybe less. The woman. Vanished. A grey suited businessman swiftly takes ownership of the remaining space as though it never happened. Only you’re sure, utterly sure it did.

It takes you a while to work it out. Numbers in a notebook. Camden station in July and nine people become eight. Euston, August, nine thirty and seventeen commuters become sixteen. Not everybody who walks into lifts continues their journey but who cares to notice? Proximity to anomalies breeds’ encephalon defences and nobody wants to catch a glitch.

People should read signs more. That’s really what they’re there for. In a city only hanging onto functionality by its fingertips you’d think they maybe would. There’s no room for ignoring design confines when thousand of commuters need to reach their destination. The fragmented human input to control waves of travellers creates something greater than the whole. The footfall of thousands fuels cognizance. The desire to be home by seven thirty feeds its instincts.

When the lift says maximum capacity it probably means it now.

I always take the stairs.

glitch pic Glitch

Words

Urban Occult

The whispers and chills of things long gone… the promise of power from the darkness… the seduction of those that lie in the shadows… the occult is all around us: in town houses, in mansions, and in your very own street.

Editor Colin F. Barnes collected together fifteen stories by a cast of critically acclaimed authors from around the globe who look into the stygian gloom, explore the dark corners of our houses, and peer into the abyss of human temptation.

Featuring stories by: Gary McMahon, Ren Warom, Gary Fry, Mark West, K.T. Davies, Nerine Dorman, Alan Baxter, Adam Millard, Julie Travis, Jason Andrew, James Brogden, A.A Garrison, Jennifer Williams, Sarah Anne Langton, and Chris Barnham.

Anachron Press

Urban Occult Cover Words

There’s a tiny excerpt from my wandering words just here – if you fancy a taster…

Mrs West, along with fourteen other wonderfully spooky urban tales, are out from Anachron. All edited by the mighty Colin F Barnes. Go take a look!

Pandemonium: Stories Of The Smoke

Pandemonium: Stories of the Smoke brings you London as you’ve never seen it before – science fiction and fantasy in the great tradition of Charles Dickens.

This London is at once an historical artifact and a living, breathing creature: the steaming, heaving, weeping, stinking, everlasting Smoke.

Jurassic London

stories of the smoke Words
Fifteen wondrous tales of London Town from Sarah Lotz, Archie Black, Aliette de Bodard, Alexis Kennedy, Esther Saxey, David Thomas Moore, Jonathan Green, Rebecca Levene, Jenni van der Merwe, Glen Mehn, Kaaron Warren, Michelle Goldsmith, James Wallis, Charles Dickens, Lavie Tidhar, David Thomas Moore, Adam Roberts and me!

You can read a little excerpt from my grimy Dickensian tale ‘Bullseye’ just here!

Available now at Amazon UK and Amazon US.

Day Of Demons

Day of Demons is a collection of powerful stories featuring the conflict of demons and humans over the course of a day.

Read how one woman’s inner-self awakens to unexpected and frightening consequences, or how a charismatic half-breed thief is forced to strike a deal with a pen-stealing imp. Read about a mother as she struggles to cope with a deadly, satanic bargain, and a sword-wielding anti-hero as he returns out of exile to face his demonic fate.

Nine stories, nine demons, nine authors. From fantasy, to horror, to contemporary fiction, this anthology will fright, delight and grip you with tales of daring-do, danger and of course — demons.

Anachron Press

day of demons Words

‘Deal’ by Karen Davies, ‘Inheritance’ by Phil Hickes, ‘Serpent’s Kiss’ by Krista Walsh, ‘Sam & The Spear’ by Gary Bonn. ‘Numen’ by V. Đ. Griesdoorn, ‘City of Light and Stone’ by Laura Diamond, ‘Cost of Glory’ by Edward Drake, ‘A Mother’s Love’ by James M. Mazzaro and ‘The Devil and Mrs Milton’ by Sarah Anne Langton. All masterfully put together by editor Colin F. Barnes!

And if you’d like to read a little excerpt from my small contribution to ‘Day of Demons’ there’s a taste of ‘The Devil and Mrs Milton’ right here. I’m pretty sure old ladies know far more than they ever let on…

Available right now at Amazon UK and Amazon US! Go take a look if you’d like some demonic tales to entertain. And who wouldn’t?

Flash Fiction

flower1 WordsGlitch You don’t really notice normal till it’s not there… glitch.

flower2 WordsAre You Listening? The city isn’t a nice place. It has its dirty little secrets.

flower1 WordsSnow Sleep doesn’t like me. We’ve never been friends.